Showing posts with label Jan Hoet. Show all posts
Showing posts with label Jan Hoet. Show all posts

February 28, 2014

Jan Hoet, a tribute

On June 13, 2012, I  posted this photo and wrote about Jan Hoet, Belgium's most famous art critic: "... we are talking about national pride and an international celebrity".  At that time, Mr Hoet was working as the curator of the Yinchuan biennial around the theme 'The ego position of the artist'.  

Jan Hoet died in Ghent at the age of 77 and Belgium lost one of its most charismatic, outspoken, passionate, controversial and appreciated, creative and talented art lover and critic. 

His death is covered by many Belgian and international papers. Below is an excerpt from the Bulletin:

"Hoet was a flamboyant and charismatic figure who shook up the local art world time and again. He became the director of Ghent’s contemporary art museum in the 1970s and made headlines when, in the summer of 1986, he invited 51 artists to exhibit works in private homes in the city. He went on to successfully lead the move of the museum into its current landmark site at Citadelpark and give it its name, the Stedelijk Museum voor Actuele Kunst, or SMAK. He opened the new site in 1999 with a boxing match.
“Jan Hoet was driven by art,” said Flemish culture minister Joke Schauvliege. His greatest achievement was to “help to tear down the walls of contemporary art”.  
Hoet was born in Leuven and studied art in Ghent but eventually decided that he wasn’t a good enough painter to pursue it as a career. He studied art history instead and went on to devote his life to advising art organisations and staging exhibitions.
Together with SMAK, which he led until 2003,  Hoet also had a very active international career, including curating Documenta IX in Kassel in 1992 and serving as the artistic director of the MARTa Herford contemporary art museum in Germany for five years. In 2012, Hoet organised the Yinchuan Biennale in northern central China and last year the Middle Gate exhibition in Geel, Antwerp province, where he spent most of his childhood.
Hoet, who is regularly referred to in the Flemish press as the “pope of art”, once told an interviewer: “I don’t know what art is. The art itself has to tell us what it is, not me. I can only sell the ticket to the discovery tour.”
Hoet had suffered from several health problems over the last couple of years, including kidney cancer and two heart attacks. Based on advice from his doctor, he was taking time off from organising an exhibition at the coast at the time of his death. 
“Today we have lost a man that was not only passionate about art but also told us about it in a most inimitible and compelling manner,” said minister-president Kris Peeters this morning in the Flemish Parliament. “He has inspired innumerable Flemings to take an interest in art.”
The city of Ghent is preparing a memorial book for the public to sign. It will be in SMAK museum for a week beginning at 14.00 tomorrow."
http://www.xpats.com/belgian-art-curator-jan-hoet-dies-ghent-hospital

June 13, 2012

Jan Hoet

A favorable wind made this photo end up in my inbox. Again, I could not  NOT use the picture because we are talking about national pride and an international celebrity.  The picture was taken last month in China where Mr Hoet now works as the the curator of the Yinchuan biennial. He is building an exhibition around the theme 'The ego position of the artist'.  I apologize for the quality of the picture but that is what international air travel can do.
"Mr Hoet became known as the curator of the Museum for Contemporary Art in Ghent, which he re-named Stedelijk Museum voor Actuele Kunst (SMAK). His flamboyant personality and his often intuitive, but always uninhibited comments make him an influential, but also controversial figure in the world of Art. With his immense popularity in the media, unusual for this sector, he created a huge goodwill towards his museum and for modern art in general. The SMAK brought cultural Ghent back to live, with many events outside the museum: he tried to bring art closer to the masses and vice-versa. Chambres d'amis, a renowned project of 1986 literally left the confines of the museum: works of art were conceptualised by internationally renowned artists in private homes and were displayed and performed in that particular space. In a later project the city of Ghent was completely taken over by Art in the concept of Over the edges in 2000 Hoet regularly works as a guest curator for other international art centra, among other Documenta IX in Kassel (1992)"  and as an artistic director  (2003 - 2008) of the Marta-museum in Herford, Germany.
http://www.venus-seminars.net/?q=enroll/seminars/7
http://www.deredactie.be/cm/vrtnieuws.english/news/120513_yinchuan_biennial_jan_hoet_china_art